Giovanni Ciceri presents:
  
						History and marks of Hamilton & Co - Calcutta
						  
						Storia e marchi di Hamilton & Co - Calcutta
						  
						 
						Robert Hamilton (1772-1848) arrived in India and started work in Calcutta in 1808. He 
						opened his Jewellery and Silversmithing shop at 5 Tank Square in 1808 under licence from 
						the East Indian Company. 
                  In this article Giovanni Ciceri presents a brief history of the Hamilton firm and an interesting 
                  study of its marks from 1811 to 1973. 
						
						English 
						 
						
						italiano 
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						 Willand Ringborg presents: 
  
						Soviet time silver salts - semi antique to come?
						  
						 
						The extraordinary silver and jewellery craftsmanship in Russia during the 19th and the 
						early 20th centuries was dashed to the ground by the revolution and World War I.  
						However, after World War II, a minor reappearance of silver pieces for general sale 
						became visible, but organized the soviet way – industrialized production by all-union 
						plants delivering to the entire Soviet. 
                  In this article Willand Ringborg presents a small selection of silver salts and salt 
                  spoons of the Soviet era. 
						
						click here | 
					 
				 
				
				 
				 
				 
				
				
				Welcome to new ASCAS members:   
				Yvonne Albino - USA 
             Peter Brocks - USA 
             Diane Cass - USA 
             Philippe d'Arschot - Belgium 
             Kari Helenius - Finland 
             Carolyn Henry - USA 
             David Herman - USA 
             Carol Kelley - USA 
             Geraldine Kempe - USA 
             Eleanor Lee Gaunt - USA 
             Roberta Markow - USA 
             Thomas Martin - Argentina 
             Carol Marvos - USA 
             Teresa Masters - USA 
             Pat Turner - USA 
             Diane C. Wachs - USA 
                     
				
				
				 
  
				 
				Members' Window # 26
				
					
						
								
	 
						 
						Giorgio Busetto presents: 
						 
						A silver mate from South America
						  
						 
						Maté is a word of 'quichua' origin (mati) that identifies a vase used for drinking. In Peru 
						and Rio de la Plata maté is the name of calabash tree fruit ( 'Lagenaria vulgaris') 
						used to contain an infusion of herbs originating in Paraguay (Olex Paraguariensis). As rhe use 
						of this container spread through South America, the name of the vessel (mate) also 
						became associated with name of the drink (Yerba Mate). 
                  Giorgio Busetto presents his unmarked silver mate with the calabash cup supported by
                  three squirrels and resting on a three footed dish. Its origin may possibly be attributed 
                  to Chili or Cuyo (Argentina), middle of the 19th century. 
						
						click here
						 
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				David Elyea writes: 
				...... I would very much like to join your association. My name is David Elyea of Richmond 
				Virginia. I also have a silver tray that I have owned for quite a while. I was hoping that one 
				of your members might recognize the marks and know the approximate age.  
            I believe it is at least 19th century, if not much older. It measures 20" by 14" and the center 
            is hand engraved with a fishing scene with whale. There are three hallmarks: crossed swords, 
            crown and 'AB' mark.  
            The back is engraved with a mark which looks like 'RMA', and 'M. de Jesus Roma de A.'  
            Any information would be very helpful. Thank you. 
            David Elyea   
				
								
											
									
				 
				 
				
				 
				Richard L. Christiansen writes 
				.....We would like to find an authoritative source that could identify the origins of this
				silver cup we believe was made in Dalarna in the period between 1742-1820. 
            Thank you for your assistance. 
            Richard L. Christiansen 
				
				
				 
				 
	         
				 
				Sharon Bares writes: 
				... Could you please help me identify the maker and date of this item? It is an old 
				Norwegian Solje cross with a maker's mark that looks like a capital L with a lower case o 
				inside the L and it is also marked as 'no.104'. 
            I cannot find any information about this piece. I hope someone can help. 
            Sincerely,  
            Sharon Bares 
				
				 
				 
				 
            
				Paulina Wojdak writes: 
				... I have a problem with one mark. I've heard that this object is silver, comes from early 
				19th century and that it could be made by silver workers from Augsburg. Could you help me to 
				identify the marks please.  
            I accompany the letter by the photos. Thank you very much indeed. 
            Best regards from Poland. 
            Paulina Wojdak 
				
				 
				 
				 
				 
				 	
	Carl Heimann writes: 
				... Is this Hallmark from Hamburg 1802? Tardy is a little inexact.... 
					
				 
				
				 		
	 	         Michael Blake writes: 
				.... Please can you help me as I am finding it very difficult to make sense of it.
				It is quite a small pot, standing only 18 centimetres to the top of the lid. The hallmarks 
				appear to be for 1668, but the makers mark seems to be Richard Green (early 18th century?). 
				Having said that, the mark is not identical to the example of his mark that I have seen. (The 
				mark is similar in that it is R G inside a heart shape, yet the letters are different and the 
				shape beneath is also different.) 
            If they are his marks, could he have done some work on this earlier pot, ( the chasing for 
            instance) and then added his mark to the existing hallmarks? 
            I have attached some pictures and would be very grateful for your comments. 
            Regards,   
            Michael Blake
 
					
             I’m unable to help you as I have not a great knowledge of English Silver.  
             According to Geoffrey Wills, the earliest recorded coffee pot is one of 1681 in the Victoria 
             & Albert Museum. Your coffee pot is made in 18th century style and I believe that in 1668 
             coffee was not used in private houses. I hope that ASCAS members will be able to help you. 
             Giorgio Busetto
				 		
				
				
  
				 
				Replies to members' questions
					
					
						 
						Svein Solhjell  receives this reply about his silver salt cellar
						
						( see May Newsletter)  
						 
						
						 
						Karin Sixl-Daniell writes: 
						.... this appears to me to be a mid 18th century piece and the hallmarks point to 
						Cologne. The 12 stands for 12 lot which equals a silver content of 750. Unfortunately, 
						I do not have information about the maker indicated on this piece. 
                  Kind regards 
                  Karin
                  Charles C. Cage writes: 
						.... Regarding Svein Solhjell's salt cellar in ASCAS newsletter # 25, the style and 
						marks are consistent with 2nd quarter 18th century Germany.   
                  The city mark appears to be that of Köln (Cologne) after 1724: three crowns above 12, 
                  with the 12 indicating 12 löt or .750 silver.   
                  The maker's mark GG in an oval is that of Gisbert Geilenburg of Köln (Cologne): Master 
                  1696, died after 1737. 
                  Hope this helps! 
                  Charles | 
					 
				 
				 
	
				
					
						Hymie Dinerstein 
						receives this reply about his silver bowl on Members' window # 25 on 
						
						May Newsletter 
						 
						
						 
						Martha Gaber Abrahamsen writes: 
						I was naturally interested in seeing the article on the Danish bowl by Hymie 
						Dinerstein, but I think her conclusion that it was made to commemorate Hans Christian 
						Andersen's fairy tale 'The Ugly Duckling' is unfounded.  
                  There are many, many works of art - including numerous fountains - in Denmark with the swan, which is considered the  
                  national bird. This silversmith, Carl Peter Foght - who can hardly be considered famous, 
                  though his work is represented in several museums - would probably have used scenes from 
                  the story on the bowl itself if that was the theme. 
                  Best regards, 
                  Martha | 
					 
				 
				
				 
				
					
						 
						Ian Crowland  receives this reply about his silver piece
						
						( see May Newsletter)  
						 
						
						 
						Karin Sixl-Daniell writes: 
						.... The answer to the question is that the piece is made of an Austrian coin - it is 
						cut out of a coin (Maria-Theresien Taler). The part with eagles is the Austrian Imperial 
						coat of arms and the head depicts the famous Empress Maria Theresia (1717-1780). 
                  The piece itself is from the 20th century and is made of 830 silver, is not sterling but a 
                  little less silver content. 
                  I can’t really see what the item is, but I have a letter opener which is decorated with 
                  the Coat of Arms cut out part of the coin. 
                  I hope this helps. 
                  Karin | 
					 
				 
				
				 
				
  
				 
				 
				"A page per month" 
				
				
				In this column we present a page (one 
				page only) obtained from makers' brochures, books, auction 
				catalogs or whatever other printed paper, which may be of 
				particular interest for ASCAS members. 
				The images will be published at a "low resolution" level and for 
				private and personal use only
				
				  
				
					
						
						
						  
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						This month 
						ASCAS presents the images of a six piece tea and coffee set and tray, table XX of
						the 1893 catalog of the 'Maison Boin-Taburet - fabricant orfévre joaillier à Paris': 
						 
						
						
						  
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				An interesting bargain
				
				
				Marilyn Eustace writes:
				.... Thank you for your newsletter. 
            I would like to inform you that there is a wonderful book available on English, Irish, and 
            Scottish Silver, compiled by Beth Carver Wees of the Clark Art Institute. Normally this book is
            US $125 but the Art Institute has it on sale for $29.98. It has pictures of and describes the 
            marks of all the pieces. 
            I thought it was a great bargain, but it is heavy!! 
            Sincerely, Marilyn Eustace
				
					
						
							
							
							  
							 | 
							English, Irish, & Scottish Silver at 
							the Sterling and Francine Clark Art Institute 
                     by Beth Carver Wees 
                     The Clark Art Institute holds one of the finest and largest collections of English 
                     silver outside of England, including many masterpieces of the silversmith’s art. Begun 
                     in the 1910s by museum founder Robert Sterling Clark, the collection has continued to 
                     grow, guided by Clark’s preferences. This book catalogues every object in the 
                     collection, from the early sixteenth century to the mid-twentieth century, including 
                     seventy-six pieces by Paul de Lamerie and many more by other great Huguenot masters. 
                     Detailed entries about some 850 objects provide marks, inscriptions, heraldry, 
                     description/construction/condition, comments, provenance, exhibition and publication
                      history; full and fascinating attention is given to altered and spurious pieces. All 
                      are illustrated in rich duotone, often with details of decoration, marks, and coats of 
                      arms.  
                      English, Irish, & Scottish Silver is an invaluable reference for scholars, 
                      collectors, and lovers of fine silver. 
                     596 pages, 9 x 11 7/8 inches - 9 color and 1,228 duotones - Hardcover - 1997 
                     1-55595-117-1 Regular price: $125.00 - Sale price: $29.98 | 
						 
					 
				 
				The Sterling and Francine Clark Art Institute is an art museum and a center for research 
				and higher education, dedicated to advancing and extending the public understanding of art. 
            I believe that this information may interest ASCAS members and is not in conflict with the 
            'non commercial' mission of ASCAS. 
				I have just ordered the book at 
				http://shop.store.yahoo.com/clarkart/enirscotsila.html 
            I was requested of $ 15 for shipping to Italy (ground) 
            Giorgio Busetto
				 
				
				
  
				 
				
				
				
  
				 
				 
				
				
				
					
						
						DISCLAIMER AND PRIVACY POLICY
						ASCAS is a community of people having a common 
						interest in antique silver. 
						It is a no-profit association without commercial links. 
						Membership is open to whomever have a true interest in 
						this subject matter. 
						ASCAS has no real property and no fees are requested nor 
						accepted from members. 
						ASCAS keeps in touch with its members only through 
						periodical newsletters, e-mails and web-site updatings 
						and ignores and is not responsible for any other 
						activity pursued by its members. 
						Likewise, ASCAS is not responsible for opinions, 
						evaluation and images displayed, and in any form 
						published or supplied for publication, by its members 
						who, in any case, maintain the property of their works 
						and assure the respect of national and international 
						legislation about Intellectual Property. 
						ASCAS does not have the full addresses of its members (only 
						town, country and e-mail address are requested for 
						membership). 
						ASCAS handles and protects with care the e-mail 
						addresses, will not disclose the addresses to third 
						parties and uses this information only to reply to 
						requests received by members and for communications 
						strictly related to its activity. 
						These rules are expressly accepted by submitting the 
						membership request. 
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