New articles for ASCAS website

Franco Bellino and Giorgio Busetto present 'Silver Salt throne from Tsarist Russia' - 'Saliere a trono dalla Russia Imperiale'. An article on a traditional object of Russian culture which ceased production with Bolshevik revolution of 1917. This article is available in double version English - Italiano

Giorgio Busetto presents 'Posy holder or Tussie Mussie ?', an article on a lady's accessory widely used in 19th century. click here. on the left: basket of leaves and flowers fixed into a carved mother-of-pearl handle posy holder

List of members

ASCAS has now 289 members.
The updated list of ASCAS members is now available by clicking here (only for members)

 

Members' Window # 13

Giorgio Busetto and Giorgio Guida present 'Wax Jack or Mustard Pot?' - 'Stoppiniera o Mostardiera?' an antique French mustard pot modified to obtain a wax jack This page is available in double version English - Italiano

Questions from ASCAS members

Rick Bliss writes:
Can someone identify this mark on an apparent mid-nineteenth century double-swell fiddle pattern soup ladle? The ladle measures 31.5 cm length, 8.5 cm (round) bowl width (no rim flare), ~3 cm bowl depth, ~6.5 tr. oz. The lozenge shape of the mark might tend to imply French manufacture, but there are no other marks present. I have seen similar two-headed eagle marks in Tardy for Russian, Belgian and Netherlands silver, but none are the same, and most are indicated as 50+ years earlier than appropriate for this pattern. Though this mark has a very "silverplate" look to it, the piece seems to be very heavy for its construction, and none of the pits or scratches (including some heavy scratching in the bowl interior) appear to have penetrated through any plating. Besides no surface breaks if it were indeed plated , the piece has some small asymmetries and residual file work more typical of hand-made pieces

 

Do any members recognize this hallmark?


Kavin & Cynthia Johnson write:
We have looked at several websites to identify the maker of this candlestick holder and have been unsuccessful. I thought it might be Dutch but have been told it might be American. Thanks for any help you can offer.

 

Do any members recognize the mark of this candlestick?


And now two interesting e-mail from France;

Christine and Denis Mercier write:
We believe that our ancestors are Simon Mercier (1683-1771), general controller (contrôleur général), and Marie-Madeleine Bocquet (1681-1750), nursemaid (nourrice) of King Louis XV of France, both native of Versailles.
According to family traditions, a little spoon was gifted by the King to his nursemaid (see the book 'Marie-Madeleine Mercier, nourrice de Louis XV' by Odile Caffin Carcy, Ed. Perrin).
Now I have only a photo supplied by my cousin but I'd greatly appreciate to have more informations about the hallmarks of this small spoon.
Thank you in advance and best regards
Christine et Denis Mercier

What a delightful story!
Is someone available to reply to Christine and Denis question?


Mathieu Lanthier writes:
I have a rare A. Michelsen electric Silver Lamp and would like to know if you could tell me more about.
It is a very beautiful and refined example of early Danish functionalism and inspired by the Bauhaus school.
The marks are identified as:
1st: The silver of the lamp was controlled in København 1927 when the lamp was newly made (also I discovered this: P.R. Hinnerup Fabricus 1927)
2nd: Probably 825 S or 925 S which means 825/1000 silver (Sterling Silver)
3rd: The factory 'Kgl. Hofjuveler A. Michelsen' (by appointment to the royal court)
4th: 927 – May be a serial number or a style number
5th: Christian F. Heise, the royal guardein controlling all danish silver (1904-1932), in this case in 1927 (see first mark).
I’ve been asking some institutes about the lamp, such as the Danish Museum of art & Design and they tell me that the lamp is pretty rare and not listed.
I’d be glad to have more information about it.

I have found only these informations about Michelsen firm:
Anton Michelsen, Copenhagen: founded in 1841. Executed designs by Mogens Ballin and Thorvald Bindesboll at the beginning of 20th century, in the twenthies by Kay Fisker, and in the thirties by Palle Svenson and Kay Gottlob ( Annelies Krekel-Aalberse: Art Nouveau and Art Deco Silver - Harry N. Abrams inc. Publishers, New York, 1989)
I hope that ASCAS members will be more informative about Mathieu question.

 

>What is this piece ???

Maurizio Perota writes:
... this is a small item belonged to my wife's grandmother, It look a small box in the shape of a bee, but the hooks under the wings suggests a more specific use.
The bee isn't sterling silver but silvered brass and has English patent mark June 27, 1872 and the maker W. Avery & Son - Redditch.
The bee measures 4 1/2 in. (11 cm.) and the inside opening 2 1/4 in. (5,5 cm.).
Perhaps one of ASCAS members would know the use of this object and has a better acquaintance of W. Avery & Son production....
Maurizio Perota

Perhaps one of ASCAS members would know the use of this object and has a better acquaintance of W. Avery & Son production....
Maurizio Perota
 

I'm unable to help Maurizio, but I've found on the web another pair of boxes, both with naturalistic images, made by W. Avery & Son. Maybe this firm was specialized in the production of these objects.

Another interesting information for an approximate dating of English electroplated silver may be the lozenge patent mark used by British Patent Office between 1842 and 1883. click here

 

Replies to ASCAS questions

Andrea Perego writes about the gravy boat of Ann Schrad on April Newsletter :
 

The 'A' with a crown seems to be the mark of 'charge' used in Paris 1744-1750.
The 'E' with that crown looks like the mark of Paris, 'maison commune' for the year 1745.
Given this concordance, and from its shape as well, I would believe the gravy dish was made in Paris in 1745. But I'm unable to see and recognize the third mark in your pic.
Andrea Perego

Ann now supplies a new picture of the marks. The 'third mark' is now readable as the mark of silversmith 'CCH'. Maybe someone will be able to identify it.

Carole McKillop-Mash writes about bowl and tray of Greg Faia on April Newsletter :
I'm afraid that Greg and his Wife have been misinformed. The marks on their lovely bowl and tray are Not English Hallmarks.
Kind regards
Carole Mckillop-Mash

Obviously these marks refers to silver plate (the maker remains unidentified) and not to sterling silver.

ASCAS RESOURCES
The page of ASCAS RESOURCES has a new addition.
Besides to website addresses there is now a list of books related to silver (hallmarks, silversmiths, history of silversmithing, etc.).
I hope you'll appreciate this novelty.

A NEW FORUM FOR SILVER MARKS
Tom Guarrera writes:
Although time for managing such things is always short, I've decided that 925-1000.com needs a Forum for the discussion and furtherance of hallmarks knowledge.
I've set up the forum software and plan to open it around May 1, the site is already up, but it is presently open only for registration. Please give it a look, the address is
http://www.925-1000.com/forum/index.php
I would appreciate it if you could mention it in your next newsletter and give an invitation to our fellow ASCAS members to drop in and contribute.
Hope all is well.
Best Regards,
Tom Guarrera

Closing our May newsletter I hope you have appreciated its content.
Your comments, suggestions and advices will be of great help.
My thanks to Franco Bellino, Rick Bliss, Jayne Dye, Tom Guarrera, Giorgio Guida, Kavin and Cynthia Johnson, Mathieu Lanthier, Carole Mckillop-Mash, Christine and Denis Mercier, Maurizio Perota for their precious contributions.

Giorgio Busetto
Secretary