ASCAS Association of Small Collectors of Antique Silver ASSOCIATION OF SMALL COLLECTORS OF ANTIQUE SILVER
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by Giorgio Busetto
 
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SALT CELLARS FROM GENOA
AND GENOA SILVER HALLMARKS

silver and cut-crystal salt: Genoa 19th century
"Torretta" is the term used for 18th century silver made in Genoa (Italy). The quality of their workmanship and their rarity make "torretta" pieces sought after and costly items for serious collectors.
These Genoese salt cellars aren't "torretta" silver as they were made in the 19th century and bear the "cross of St. Maurice and St. Lazarus" and the "dolphin" marks used in Genoa by the Kingdom of Sardinia from 1824 to 1872.
Anyway they are an excellent example of early 19th century Italian cut-glass salt cellars. The embossed and chiselled square base stands on four floral 'paws' feet while the short gadrooned stem supports the cut-crystal bowl.
Unfortunately the maker's mark "B.N. into a rectangle" belongs to an unidentified silversmith.
The salt cellars are 4 in (cm. 10) high and the bowl's diameter is 2 3/4 inches (cm. 7) wide.
A similar pair of salts is illustrated by Gianna Roccatagliata in her reference book Argenti Genovesi.
 
   

GENOA SILVER MARKS

The " Guild of Silversmiths" (Corporazione dei Fraveghi) was active in Genoa since 1248 but the most ancient silver bearing the "torretta" mark is the mid 15th century pyx of Meglio's (Genoa) Parish.
"Torretta" is the definition adopted, possibly in the 19th century, by antique dealers and collector to identify the ancient mark of Genoese silver
The shape of the "torretta" mark had relevant modification during the many centuries of its use and represents, in stylized form, the town of Genoa protected by its "castrum" (castle: better identifiable in ancient Genoese gold coins, the "doppia").
After French invasion of Genoa, French silver marks were introduced in 1805, replaced, after Napoleon's fall, by Kingdom of Sardinia marks in 1815.
Anyway, "Torretta" continued to be used by Genoa Assay Office during the French domination and also after the annexing to the Kingdom of Sardinia until 1824.
After 1824 the "Eagle" (950/1000 fineness mark of Kingdom of Sardinia) or the "Cross of St. Maurice and Lazarus" (800/1000 fineness mark) and the "dolphin" (mark of Genoa Assay Office) continued to be used until the adoption of Kingdom of Italy marks in 1872.
Genoa silver hallmark: 'torretta' 1722 Genoa silver hallmark: 'torretta' 1722 Genoa silver hallmark: 'torretta' 1722 Genoa silver hallmark: 'torretta' 1722
Torretta mark 1722
Torretta mark 1726
Torretta mark 1732
Torretta mark 1766
Genoa French Département mark Kingdom of Sardinia 950/1000 silver hallmark Kingdom of Sardinia 950/1000 silver hallmark Genoa Assay Office silver hallmark
Genoa French Département mark 1805/1808
Kingdom of Sardinia 950/1000 silver mark 1824/1872
Kingdom of Sardinia 800/1000 silver mark 1824/1872
Kingdom of Sardinia Genoa Assay Office silver mark 1824/1872
BASIC BIBLIOGRAPHY FOR GENOA SILVER AND ITS MARKS
Argenti Italiani del Settecento, V.Donaver-R.Dabbene, Edizioni Libreria Malavasi, Milano, 2000
Argenti Italiani dell'Ottocento, vol. 1, V.Donaver-R.Dabbene, Edizioni Libreria Malavasi, Milano, 2001
Argenti Sabaudi Genova, Farida Simonetti, SAGEP Editrice, Genova, 1993,
I Marchi dell'Argenteria Italiana, Ugo Donati, De Agostini, Novara, 1993,
Argenti Genovesi, Gianna Roccatagliata, De Ferrari & Devega, Genova, 2002,
L'Argenteria Genovese del Settecento, Franco Boggero-Farida Simonetti, Umberto Allemandi & C., Torino, 2007,
Argenti Genovesi La Torretta, Gianna Roccatagliata, Tormena Editore, 1992,
Giorgio Busetto
- 2008 -