ASCAS Association of Small Collectors of Antique Silver
ASSOCIATION OF SMALL COLLECTORS OF ANTIQUE SILVER
ASCAS
Members' Window # 100
home
by Jeffrey Herman
(click on photos to enlarge image)

BEFORE AND AFTER ON A TIFFANY STERLING PLATE

This plate came to me with chased lettering (not engraved) that the customer wanted removed and the overall look brought back to its original beauty.
I couldn't planish out the lettering because the metal would dramatically deform and loose thickness.
I couldn't fill it in with silver solder because of all the pin holes and color difference that would result. And electroforming wouldn't do.
This job required the use of my pulse arc welder and was going to very complex.
The lower parts of the lettering were very thin as it was chased on a steel form, and the slightly rounded corners would be more difficult to level with the overall disk.
These factors required numerous setting adjustments on the welder.

 
Tiffany plate with chased lettering
On the right I'm flattening the over-filled sterling mounds with a special smoothing mode. This entire filling and smoothing process was extremely time-consuming, requiring enormous concentration and constant refocusing of the 10x microscope.
flattening the over-filled sterling mounds with a special smoothing mode



 
The lettering completely filled
The lettering completely filled
the deposited sterling planished over a slightly domed stake to remove any porosity left by the welding



 
The center disk showing no sign of ever having been chased
The center disk shows no sign of
ever having been chased
The deposited sterling was then planished over a slightly domed stake to remove any porosity left by the welding. Then, 600-, 1200-, and 2000-grit silicon carbide wet/dry paper was used to remove any high spots and prepare the surface for polishing.
.
The plate repatinated and lightly polished
The plate was repatinated and lightly polished, resulting in a
dramatic transformation. The entire restoration took over 14 hours!
.

Jeffrey Herman
- 2012 -
Jeffrey Herman worked at Gorham as designer, sample maker, and technical illustrator. Upon leaving Gorham, he took a position at Pilz Ltd where he learned the fine art of restoration, and fabricated mass-produced ecclesiastical ware. He earned a BFA degree in silversmithing and jewelry making from Maine College of Art in Portland, studying under Harold Schremmer and Ernest Thompson, two outstanding designer/craftsmen. He started his business in 1984 gaining a national reputation of quality craftsmanship repairing and reconstructing everyting, from historical pieces to single spoons.
He is the founder of the Society of American Silversmiths.
Further details about Jeffrey Herman and information contact are available in his website at http://www.hermansilver.com